Posters

We see posters in store windows, stapled to lamp-posts, tacked up on bulletin boards, put up in libraries and living rooms, taped to to walls and windows (providing of course we are not talking about flyers!) published in books, and occasionally we see excellent posters framed and exhibited.

Posters are of course a 2-dimensional medium, and rarely is it, that a poster has not been reproduced in multiple numbers. This is not a one-of-a-kind art form.

Posters have a particular beauty in that they 'most always combine a picture, an illustration, a painting, or a photograph, with text of some description. Script. A Font. A Hand. An Alphabet. Calligraphy. This text can run right across the picture, or placed at the top, or there at the bottom, and in various sizes and/or colors, depending on the impact desired. This is not a medium that is rarely seen, nor which requires the viewer to enter a museum to see.

However the most charming posters - the originals - are only visible in the museums, and were done by Toulouse LaTrec during the middle of the 19th century, I believe it was in France: all his lettering was filled in and done by hand, and has a lovely elegant quality.

One of the many fun experiments you can conduct with calligraphy is using this double pencil described in my last entry....you can change it to two ballpoints, or two marker-tips, or two different colors.

Now make some doodles that you feel like making, or even try a one-letter image, like a lower case "a", not letting the pen-angle change (see my last entry) as you "make your marks". Feel free to go back afterwards with a single implement to correct things: bring loose ends together as you want them. (Nobody is perfect the first time.)

Now the fun part is filling in the spaces you that you have made with your calligraphy: you can go to another media altogether, like a colored pencil or a marker, or a ball point, or watercolor, and you can make stripes, or polka dots, or wiggly lines or solid color, or whatever your heart desires, fear not! If you feel like attacking a whole word, or your name, or the name of a loved one, or a logo, you'll have even more fun.

Names and Titles

Centuries ago, when reading and writing were not that common, the monks in the monasteries were busy reading and writing, and the writing they were doing was not on a typewriter, nor heaven forbid, on a computer or on any kind of keyboard such as we know today. I've got to say that the writing they turned out back in those days was calligraphy and calligraphy only. How many of you have seen a copy even of our [more recent] Declaration of Independence in this country, or of the Magna Carta in ancient Europe or such documents. These things were all turned out by a scribe or scribes: persons whose professions and livelihood were those of copying things down.

It may have not been as easy to read, or to decipher, as the typeset that shows up today, but it was much more beautiful. Beautiful and flowery and impressive.

Today such qualities are some of the main reasons why calligraphy is used in the various ways and places it is used: to decorate, to impact, to glorify, to draw the attention, to beautify!

Calligraphy

A couple chapters on "Calligraphy" will get us started on the 2-dimensional quality of calligraphy. You may have seen a spiral staircase in your day, and such a piece of architecture always reminds me of calligraphy, but let's face it: a staircase has three dimensions! Calligraphy is done on a 2-dimensional surface: a piece of paper of many different possible qualities, a scroll, a glass window in a door, a tablet or sketchbook, a piece of fabric, a ribbon, a poster, a flyer, a greeting card, a wedding invitation, advertising layouts, certificates galore, logos, letterheads, decorations, etc., etc!

I have always been interested in calligraphy, even as a child, and I played around with some experiments, but about 5 years ago I joined a Guild, since it was only $18 a year, and they only met (in Salem, Oregon) once a month. I never, ever, told them that I had never taken even the most basic calligraphy class, and so I faked my way through several years of business-meetings, potlucks and art projects. One day I had the nerve to reveal, to one of the most accomplished prize-winning calligraphers, that I had never "taken Italic" and she actually gasped. I have since remedied this situation, taking an Italic class which cost a fortune and which was taught by a friend of mine. It is always so rewarding to take a calligraphy class, no matter which font. (My friend, herself, was busy taking a watercolor class!)